Photography
Overview
The photography program is designed to teach entry-level skills for careers in the photographic industry. Students interested in photography as visual expression or an adjunct to a vocation will also benefit. Flexibility of the advanced program allows a student to concentrate upon a specific photographic career area. Students planning to prepare for a four-year degree in Photography should consult the lower division requirements of the university to which they plan to transfer.
Program Maps
A.A./A.S. Degrees
- Art-Photo A.A. Degree - CalGETC Map
- Art-Photo A.A. Degree - Local GE Map
- Photography A.A. Degree - CalGETC Map
- Photography A.A. Degree - Local GE Map
Certificates
- Dean Brian Rickel
- Department Chair Kathryn Mayo
- Career and Academic Community Arts, Media and Entertainment
- Phone (916) 691-7171
- Email mayok@crc.losrios.edu
Associate Degrees
A.A. in Art Photography
The Art Photography Associate in Arts degree is designed to provide students with a strong foundation in fine art photography, with an emphasis on black-and-white photography, film-based processes and traditional darkroom practices. The program integrates technical skill development with critical analysis, visual literacy, and an exploration of historical and contemporary photographic practices.
Students engage with photography as both a creative and conceptual medium, examining photographic history, theory, and current debates while developing a cohesive body of work. Coursework emphasizes intentional image-making, craftsmanship, and reflective practice in support of individual artistic voice.
Students intending to transfer to a four-year institution are encouraged to consult the lower-division requirements of their intended university to ensure appropriate course selection and transfer alignment.
Catalog Date: August 1, 2026
Degree Requirements
| Course Code | Course Title | Units |
|---|---|---|
| ART 300 | Drawing and Composition I | 3 |
| ART 443 | Art Gallery Operations (3) | 3 |
| ARTH 300 | Art Appreciation (3) | 3 |
| PHOTO 301 | Beginning Photography (3) | 3 |
| PHOTO 310 | Intermediate Photography (3) | 3 |
| PHOTO 421 | Photographic Theory, Concepts and Aesthetics (3) | 3 |
| or PHOTO 420 | History of Photography (3) | |
| PHOTO 365 | Alternative Process Photography (3) | 3 |
| PHOTO 360 | Large Format Photography (3) | 3 |
| PHOTO 364 | Advanced Black and White Photography (3) | 3 |
| or PHOTO 366 | Advanced Alternative Process Photography (3) | |
| Total Units: | 27 |
The Art Photography Associate in Arts (A.A.) degree may be obtained by completion of the required program, and either (a) the Local General Education Pattern or (b) the California General Education Transfer Curriculum (Cal-GETC), plus sufficient electives for a total of at least 60 units. See CRC graduation requirements.
Student Learning Outcomes
Upon completion of this program, the student will be able to:
- SLO #1 Produce a cohesive portfolio of fine art photographs that demonstrates creative self-expression, intentional decision-making, and technical proficiency across a range of themes, approaches, and personal perspectives.
- SLO #2 Apply silver-based and alternative black-and-white photographic processes to create expressive and well-crafted images.
- SLO #3 Operate a range of film-based cameras, including medium- and large-format systems, to achieve specific aesthetic and conceptual outcomes.
- SLO #4 Analyze key developments in the history of photography, situating photographic works within their cultural, historical, and artistic contexts.
- SLO #5 Evaluate contemporary photographic theories, trends, and aesthetic approaches and relate them to personal image-making practices and broader cultural contexts.
Career Information
Completion of the Art Photography Associate in Arts degree prepares students for entry-level opportunities and further study in photography and related visual arts fields. Potential career pathways include fine art photographer, photographic assistant, gallery or museum staff, exhibition technician or preparator, and entry-level curatorial support roles. Students may also pursue work as general photographers or continue their education at a four-year institution in photography, studio art, or related disciplines. Some career options may require more than two years of college study. Classes beyond the associate degree may be required to fulfill some career options or for preparation for transfer to a university program.
A.A. in Photography
The Photography AA program provides students with a strong foundation in photographic technique, visual literacy, and creative practice. The program supports students pursuing careers in photography-related fields, preparing for transfer to four-year institutions, or seeking to develop photography as a form of visual expression within a broader creative or professional context.
Students gain hands-on experience with both digital and analog processes while exploring the history, theory, and contemporary practices of photography. Coursework emphasizes intentional image making, critical thinking, and the development of a cohesive body of work. As students progress through the program, they are encouraged to refine their personal voice, engage in critique, and consider the cultural, ethical, and conceptual dimensions of photography.
The flexibility of the program allows students to explore specific areas of interest within photography, including fine art, documentary, studio, and applied practices. Students planning to transfer to a four-year degree program in Photography or a related discipline are encouraged to consult the lower-division requirements of their intended transfer institution.
Catalog Date: August 1, 2026
Degree Requirements
| Course Code | Course Title | Units |
|---|---|---|
| 1st Semester: | ||
| PHOTO 302 | Beginning Digital Photography (3) | 3 |
| 2nd Semester: | ||
| PHOTO 312 | Intermediate Digital Photography (3) | 3 |
| 2nd Semester: | ||
| PHOTO 320 | Color Photography (3) | 3 |
| 4th Semester: | ||
| PHOTO 340 | Careers in Photography | 3 |
| 1st semester: | ||
| PHOTO 400 | Digital Imaging | 3 |
| 1st semester: | ||
| PHOTO 420 | History of Photography (3) | 3 |
| or PHOTO 421 | Photographic Theory, Concepts and Aesthetics (3) | |
| 4th Semester: | ||
| COMM C1000 | Introduction to Public Speaking (3) | 3 |
| or COMM 361 | The Communication Experience (3) | |
| 1st Semester: | ||
| JOUR 310 | Mass Media and Society | 3 |
| 3rd Semester: | ||
| RTVF 302 | Introduction to Digital Design & Storytelling (3) | 3 |
| or RTVF 304 | Introduction to Multimedia (3) | |
| 3rd Semester: | ||
| PHOTO 370 | Portraiture Techniques I (3) | 3 |
| or PHOTO 390 | Studio Lighting Techniques I (3) | |
| 4th Semester: | ||
| A minimum of 3 units from the following: | 3 | |
| PHOTO 260 | The Eastern Sierra Landscape, Yosemite Valley (2) | |
| PHOTO 271 | Color Management and Printing (1.5) | |
| PHOTO 272 | Lightroom (1.5) | |
| PHOTO 273 | Video Capture with DSLRs (1.5) | |
| PHOTO 274 | Digital Photography Basics (1.5) | |
| PHOTO 275 | Digital Applications for Alternative Processes (1.5) | |
| PHOTO 277 | Creating a Digital Portfolio (1.5) | |
| PHOTO 278 | Flash Photography (1.5) | |
| PHOTO 279 | Advanced Lightroom (1.5) | |
| PHOTO 350 | Photojournalism (3) | |
| Total Units: | 33 | |
The Photography Associate in Arts (A.A.) degree may be obtained by completion of the required program, and either (a) the Local General Education Pattern or (b) the California General Education Transfer Curriculum (Cal-GETC), plus sufficient electives for a total of at least 60 units. See CRC graduation requirements.
Student Learning Outcomes
Upon completion of this program, the student will be able to:
- PSLO #1 analyze the technical, aesthetic, and conceptual qualities of effective photographic images.
- PSLO #2 apply a range of lighting techniques to create intentional photographic images.
- PSLO #3 create photographs using a variety of camera systems and photographic tools.
- PSLO #4 produce photographic work using analog and digital processes, including printing and digital output.
- PSLO #5 develop a cohesive portfolio and related professional materials appropriate for employment, exhibition, or transfer.
- PSLO #6 demonstrate effective and ethical working relationships with clients, subjects, and collaborators.
- PSLO #7 develop a personal visual voice informed by skill development, experimentation, critique, and reflective practice.
Career Information
Studio Photography; Portrait & Wedding Photography; Photographic Lab Technician; Photojournalism; Industrial or Architectural Photography. Some career options may require more than two years of college study. Classes beyond the associate degree may be required to fulfill some career options or for preparation for transfer to a university program.
Certificates of Achievement
Commercial and Studio Photography Certificate
The Commercial and Studio Photography Certificate prepares students for entry-level careers in studio-based and commercial photographic fields. The program emphasizes professional lighting techniques, concept-driven image making, and industry-standard workflows used in contemporary photographic practice.
Students gain hands-on experience working with strobe lighting, studio equipment, and controlled shooting environments while developing the technical and creative skills required for commercial work. Coursework also introduces students to professional practices such as client collaboration, branding, self-promotion, business strategies, and efficient production workflows.
Students design and refine portfolios tailored to their individual career goals, preparing them for employment, freelance opportunities, or continued study in photography and related visual media fields.
Catalog Date: August 1, 2026
Certificate Requirements
| Course Code | Course Title | Units |
|---|---|---|
| PHOTO 302 | Beginning Digital Photography (3) | 3 |
| PHOTO 312 | Intermediate Digital Photography (3) | 3 |
| PHOTO 320 | Color Photography (3) | 3 |
| PHOTO 340 | Careers in Photography (3) | 3 |
| PHOTO 400 | Digital Imaging (3) | 3 |
| PHOTO 360 | Large Format Photography (3) | 3 |
| PHOTO 390 | Studio Lighting Techniques I | 3 |
| PHOTO 392 | Studio Lighting Techniques II | 3 |
| PHOTO 420 | History of Photography (3) | 3 |
| or PHOTO 421 | Photographic Theory, Concepts and Aesthetics (3) | |
| A minimum of 3 units from the following: | 3 | |
| PHOTO 260 | The Eastern Sierra Landscape, Yosemite Valley (2) | |
| PHOTO 271 | Color Management and Printing (1.5) | |
| PHOTO 272 | Lightroom (1.5) | |
| PHOTO 273 | Video Capture with DSLRs (1.5) | |
| PHOTO 274 | Digital Photography Basics (1.5) | |
| PHOTO 275 | Digital Applications for Alternative Processes (1.5) | |
| PHOTO 277 | Creating a Digital Portfolio (1.5) | |
| PHOTO 278 | Flash Photography (1.5) | |
| PHOTO 279 | Advanced Lightroom (1.5) | |
| PHOTO 350 | Photojournalism (3) | |
| PHOTO 263 | Cell Phone Photography (1.5) | |
| Total Units: | 30 | |
Student Learning Outcomes
Upon completion of this program, the student will be able to:
- PSLO #1 create photographs using a variety of traditional and digital camera systems appropriate to commercial applications.
- PSLO #2 design and execute strobe lighting setups in studio and on-location environments for photographing people and products.
- PSLO #3 develop a professional portfolio that demonstrates technical proficiency, visual consistency and readiness for commercial photography work.
- PSLO #4 define business goals and implement self-promotion and branding strategies appropriate to commercial photography practice.
- PSLO #5 collaborate effectively with photographers, designers, clients, and creative teams to produce compelling commercial images.
Career Information
studio assistant, studio photographer, freelance photographer, editorial photographer, lab manager
Fine Art Photography Certificate
The fine art photography program is designed for students who want to enter a career path in fine art photography. Students will use a variety of cameras and formats to produce images in both color and black and white. Personal expression and creativity, history and contemporary issues in photography and visual communication will also be emphasized.
Catalog Date: August 1, 2026
Certificate Requirements
| Course Code | Course Title | Units |
|---|---|---|
| PHOTO 301 | Beginning Photography (3) | 3 |
| PHOTO 310 | Intermediate Photography (3) | 3 |
| or PHOTO 364 | Advanced Black and White Photography (3) | |
| PHOTO 320 | Color Photography | 3 |
| PHOTO 360 | Large Format Photography (3) | 3 |
| PHOTO 365 | Alternative Process Photography (3) | 3 |
| or PHOTO 366 | Advanced Alternative Process Photography (3) | |
| PHOTO 400 | Digital Imaging (3) | 3 |
| PHOTO 420 | History of Photography (3) | 3 |
| A minimum of 3 units from the following: | 3 | |
| PHOTO 260 | The Eastern Sierra Landscape, Yosemite Valley (2) | |
| PHOTO 272 | Lightroom (1.5) | |
| PHOTO 273 | Video Capture with DSLRs (1.5) | |
| PHOTO 275 | Digital Applications for Alternative Processes (1.5) | |
| PHOTO 277 | Creating a Digital Portfolio (1.5) | |
| PHOTO 350 | Photojournalism (3) | |
| PHOTO 278 | Flash Photography (1.5) | |
| Total Units: | 24 | |
Student Learning Outcomes
Upon completion of this program, the student will be able to:
- PSLO #1 communicate visual ideas in a variety of formats
- PSLO #2 describe important historical and contemporary movements in photography
- PSLO #3 produce a portfolio of images emphasizing personal creativity and self expression
Career Information
freelance photographer, editorial photographer, photojournalist, gallery apprentice, museum apprentice, teacher
Portraiture and Wedding Photography Certificate
The Portraiture and Wedding Photography Certificate prepares students for entry-level careers in portrait and wedding photography. The program emphasizes working with people in real-world settings, combining technical lighting skills with strong interpersonal communication, storytelling, and visual consistency.
Students learn to pose and direct subjects, collaborate effectively with clients, and work confidently in both controlled and unpredictable lighting environments. Coursework covers the use of studio strobes, available light, and hybrid lighting approaches commonly used in portrait and event photography. Students will develop an intentional portfolio tailored to portrait and wedding photography markets.
In addition to image making, the program introduces essential professional practices including client management, business strategies, self-promotion, branding, and efficient workflow methods. Upon completion, students are prepared to pursue employment, freelance opportunities, or continued study in photography and related visual media fields.
Catalog Date: August 1, 2026
Certificate Requirements
| Course Code | Course Title | Units |
|---|---|---|
| PHOTO 302 | Beginning Digital Photography (3) | 3 |
| PHOTO 312 | Intermediate Digital Photography (3) | 3 |
| PHOTO 320 | Color Photography (3) | 3 |
| PHOTO 340 | Careers in Photography (3) | 3 |
| PHOTO 350 | Photojournalism (3) | 3 |
| or PHOTO 400 | Digital Imaging (3) | |
| PHOTO 370 | Portraiture Techniques I | 3 |
| PHOTO 372 | Portraiture Techniques II | 3 |
| PHOTO 420 | History of Photography (3) | 3 |
| or PHOTO 421 | Photographic Theory, Concepts and Aesthetics (3) | |
| A minimum of 3 units from the following: | 3 | |
| PHOTO 260 | The Eastern Sierra Landscape, Yosemite Valley (2) | |
| PHOTO 271 | Color Management and Printing (1.5) | |
| PHOTO 272 | Lightroom (1.5) | |
| PHOTO 273 | Video Capture with DSLRs (1.5) | |
| PHOTO 274 | Digital Photography Basics (1.5) | |
| PHOTO 275 | Digital Applications for Alternative Processes (1.5) | |
| PHOTO 277 | Creating a Digital Portfolio (1.5) | |
| PHOTO 278 | Flash Photography (1.5) | |
| PHOTO 279 | Advanced Lightroom (1.5) | |
| PHOTO 350 | Photojournalism (3) | |
| PHOTO 263 | Cell Phone Photography (1.5) | |
| Total Units: | 27 | |
Student Learning Outcomes
Upon completion of this program, the student will be able to:
- PSLO #1 create photographs using a variety of traditional and digital camera systems appropriate to portrait and wedding photography.
- PSLO #2 design and apply strobe and available lighting techniques to effectively photograph clients and models in controlled and real-world environments.
- PSLO #3 develop a professional portfolio that demonstrates technical proficiency, visual consistency, and readiness for portrait and wedding photography work.
- PSLO #4 define business goals and implement self-promotion, branding, and workflow strategies appropriate to portrait and wedding photography.
- PSLO #5 collaborate effectively with clients, models, and other professionals to achieve a shared visual and storytelling goal.
Career Information
photographer's assistant, wedding photographer, portrait photographer, studio assistant, editorial photographer, photojournalist
Photography (PHOTO) Courses
PHOTO 260 The Eastern Sierra Landscape, Yosemite Valley
- Units:2
- Hours:18 hours LEC; 54 hours LAB
- Prerequisite:None.
- Catalog Date:August 1, 2026
This course is designed to give students an opportunity to photograph in the Eastern Sierra emphasizing the Yosemite Valley. The course will include a variety of topics including using film and digital cameras in the landscape, understanding different natural qualities of light and low light photography. This course includes meetings on campus and a field trip to Yosemite.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Demonstrate an understanding of lighting conditions in the natural landscape.
- Change ISO setting to accommodate low and bright light.
- Change bracketing functions for exposure.
- SLO #2 Demonstrate competence with auxiliary equipment.
- Set up a tripod, cable release and self-timer functions.
- SLO #3 Describe the history of photography in the area.
- Visit the the Ansel Adams Gallery in Yosemite Valley.
- Write a critical analysis of a photographer.
- SLO #4 Produce a portfolio of digital or traditional photographs.
PHOTO 263 Cell Phone Photography
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:None.
- Catalog Date:August 1, 2026
This course provides students instruction in photographing with cell phones. Topics include: advanced settings for image capture, exploring apps for post processing, lighting techniques, and posting to social media sites. Students will work with cell phones and accessory equipment. The class includes: lectures, image discussions, exams, and a final project. Students must have their own mobile device (cell phone or tablet) and access to an online app store.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Create images with a cell phone or tablet
- Explore advanced options in cell phones or tablets for image capture, including altering speed, video and panorama modes
- Use multiple lenses (or accessories) to take photographs
- Apply visual design concepts to take photographs
- SLO #2 Post process images using specialized mobile apps
- Explore a variety of photographic apps to control color, contrast, and other image corrections
- Use apps in advanced settings to create an individual style
- SLO #3 Photograph images in a variety of lighting conditions
- Explore low light, artificial light and ambient light options
- SLO #4 Create a digital portfolio using a cell phone
- Investigate social media options for sharing images
- Post images on social media for personal promotion
PHOTO 271 Color Management and Printing
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:PHOTO 302 or 400 with a grade of "C" or better
- Advisory:PHOTO 320
- Catalog Date:August 1, 2026
This course covers the fundamental principles of color management and printing. Topics of instruction include: calibration, profile generation, color management in Photoshop, optimizing and preparing images for output. Students will print images using a variety of output options including labs, personal and professional printers. Students will work with digital cameras. The class includes: lectures, lab time, exams, a journal, and a final project. The class may also include a field trip at no additional cost to the student.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Perform color calibration on a variety of digital hardware devices
- analyze targets on at least 3 different paper types
- use a spectrophotometer to read targets
- create profiles based on target outcomes
- SLO #2 Manage color in Photoshop
- manipulate color profiles for accurate proofing
- SLO #3 Demonstrate color management workflow principles
- SLO #4 Print images using a variety of output options including labs, home and professional printers
- create a final portfolio of images using a variety of paper finishes and output options
- SLO #5 Recognize and describe differences in paper finishes
PHOTO 272 Lightroom
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:PHOTO 302 or 400 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course is designed to provide students the opportunity to learn the most current photographic archiving software products. Topics of instruction include: importing images, editing imaging and placing images into collections and libraries. Students will work with digital cameras. The class includes: lectures, lab time, field trips, exams, a journal, and a final project. Students will need to have access to Lightroom softwrae for their projects.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Import photographs into Lightroom
- describe the difference between a collection and library
- use keywords and stars to rate images
- compare and rank images side by side
- SLO #2: Work on images using the development module
- describe the options in each portion of the modules
- alter exposure, contrast, and color; both locally and globally
- perform and create presets on images
- SLO #3 Export photographs from the Lightroom
- describe steps for exporting to a folder or the web
- complete a batch process export including file name and file format changes
- SLO #4 Complete a final project in image management
- perform a presentation of the final image gallery
PHOTO 273 Video Capture with DSLRs
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:PHOTO 302 or 400 with a grade of "C" or better
- Catalog Date:August 1, 2026
This course is designed to provide students instruction in shooting video with DSLR or mirrorless cameras. Topics include: custom settings for shooting video, options for sound capture, lighting techniques, video editing and digital storytelling. Students will work with digital cameras and accessory equipment. The class includes: lectures, lab time, exams, a journal, and a final project.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO#1: Capture video footage with a DSLR or mirrorless camera
- define and describe different cameras that offer video capture
- manipulate custom camera settings to optimize video capture
- use stabilization accessories
- SLO #2 Capture sound files for video
- experiment with in-camera and off camera options for sound capture
- SLO #3 Set up lighting for video capture
- experiment with different lighting techniques, including ambient, LED and tungsten sources
- SLO #4 Edit video footage
- describe different video editing software
- produce a 3-5 minute video project
- SLO #4 Describe digital storytelling
- analyze various videos for editing, sound, and music
- create a map that charts the components in a multimedia piece
PHOTO 274 Digital Photography Basics
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:None.
- Catalog Date:August 1, 2026
This course is designed to provide students an introduction to digital photography. Topics include: composition and framing, exposure control, basic equipment, and simple software tools to catalog, manipulate, and print images Students may work with a variety of digital options including: cell phones, DSLs or mirrorless cameras. The class includes: lectures, lab time, exams, and a final portfolio.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO#1: Capture images with a cell phone, DSLR or mirrorless camera
- apply principles of good composition and framing
- describe how 3D space translates to 2D space
- SLO #2 Use a variety of exposure settings to capture a digital image
- shoot images with the manual and auto modes
- apply concepts of over or under exposure based on lighting
- SLO #3 Use software to manipulate digital images
- perform basic image correction with image software
- prepare and size images for printing and sending via email
- SLO #4 Develop visual literacy skills
- describe compositional elements
- produce a research project that includes photographers of diverse backgrounds
PHOTO 275 Digital Applications for Alternative Processes
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:PHOTO 302 or 400 with a grade of "C" or better
- Catalog Date:August 1, 2026
This course is designed to provide students instruction in digital applications for alternative processes. Topics include: creating custom curves for alternative process printing, using a variety of software products for creating unique imagery, and applying digital technology to older print processes. Students will work with digital cameras and accessory equipment. The class includes: lectures, lab time, field trips, exams, a journal, and a final project.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO#1 Identify software applications used for alternative processes
- describe applications for contact printing
- describe the differences between cyanotype, platinum and pallidium printing
- SLO#2 Design custom curves for digital negatives
- create step wedges for each process
- determine d-max for each process
- experiment with transparency OHP materials
- SLO#3 Produce a portfolio of alternative process digital prints
- mount images archival
- write an artist statement
PHOTO 277 Creating a Digital Portfolio
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:PHOTO 302 or 400 with a grade of "C" or better
- Catalog Date:August 1, 2026
This course is designed to provide students instruction in creating a website to promote their photography. Website hosting options, uploading and organizing images will be covered. Students will work with digital cameras and design software. The class includes: lectures, lab time, field trips, exams, a journal, and a final project.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO#1 Describe different hosting options for a photographic website.
- articulate specific needs for different genres of photography
- determine different costs of hosting services
- SLO #2 Prepare imagery for uploading
- edit photographs for content and genre
- sequence images for formal relationships
- resize and sharpen final images
- SLO #3 Demonstrate web-site workflow principles through the creation of a final project
- produce a price list
- create soundtracks
PHOTO 278 Flash Photography
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:PHOTO 301 or 302 with a grade of "C" or better
- Catalog Date:August 1, 2026
This course covers flash photography using digital cameras. Topics of instruction include: on camera flash, flash with cord, off camera flash and multiple strobe effects The class includes: lectures, lab time, field trips, a journal, and a final project.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Describe options for flash units
- define guide numbers as a criteria for flash
- describe differences between name brand and off brand flash units
- SLO #2 Use on-camera flash
- create images that use: bounce flash, fill flash, flash-ambient, high-speed synch, multiple burst and a variety of lighting ratios
- SLO #3 Use a flash unit with a cord
- create different lighting patterns that use: side lighting, bounce lighting, and backgrounds with and without detail
- SLO #4 Use off-camera flash
- use transmitters to create a multiple flash set up
PHOTO 279 Advanced Lightroom
- Units:1.5
- Hours:18 hours LEC; 27 hours LAB
- Prerequisite:PHOTO 272 with a grade of "C" or better
- Catalog Date:August 1, 2026
This course is designed to provide students the opportunity to learn the most advanced current photographic archiving software products. Topics of instruction include: Advanced importing of images and advanced batch image editing. Students will work with Advanced DSLR digital cameras. The class includes lectures, labs, exams, creation of a journal and a final project. The class may include field trips.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO#1: Import photographic images into Lightroom using advanced tools.
- Describe the difference between a collection and smart collection
- Compare and rank images using keywords, color coding and star rating.
- Formulate and evaluate effective keywords used in archiving process
- SLO #2: Process images with Lightroom's advanced development module.
- Utilize advanced black & white development features and advanced color correction methods.
- Utilize Lightroom's advanced tools to adjust exposure, stack image exposures and sync images.
- Create and apply customized presets.
- SLO #3 Utilize Lightroom's advanced features to export photographs.
- Describe advanced tools and features used for image export.
- Complete batch processing export of images including file name and metadata.
- SLO #4 Complete a final project using Lightroom's slide show and web modules.
- Create and give a presentation using the web module.
PHOTO 295 Independent Studies in Photography
- Units:1 - 3
- Hours:54 - 162 hours LAB
- Prerequisite:None.
- Catalog Date:August 1, 2026
An independent studies project involves an individual student or small group of students in study, research, or activities beyond the scope of regularly offered courses. See the current catalog section of "Special Studies" for full details of Independent Studies.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Actively engage in intellectual inquiry beyond that required in order to pass a course of study (College Wide Learning Outcome – Area 4).
- Discuss and outline a proposal of study (that can be accomplished within one semester term) with a supervising instructor qualified within the discipline.
- Design an independent study (to be completed individually or by collaboration of a small group) to foster special knowledge, skills, and experience that are not available in any one regularly scheduled course.
- Use information resources to gather discipline-specific information.
- SLO #2: Utilize modes of analysis and critical thinking to apply theoretical perspectives and/or concepts in the major discipline of study to significant problems and/or educational activities (College Wide Learning Outcome – Area 3).
- Analyze and apply the knowledge, skills and experience that are involved in the independent study to theoretical perspectives and/or concepts in the major discipline of study.
- Explain the importance of the major discipline of study in the broader picture of society.
- SLO #3: Communicate a complex understanding of content matter of the major discipline of study (College Wide Outcome – Area 3).
- Demonstrate competence in the skills essential to mastery of the major discipline of study that are necessary to accomplish the independent study.
- SLO #4: Identify personal goals and pursue these goals effectively (College Wide Outcome – Area 4).
- Utilize skills from the “academic tool kit” including time management, study skills, etc., to accomplish the independent study within one semester term.
PHOTO 299 Experimental Offering in Photography
- Units:0.5 - 4
- Prerequisite:None.
- Catalog Date:August 1, 2026
This is the experimental courses description.
PHOTO 301 Beginning Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:None.
- Transferable:CSU; UC
- General Education:Local GE L3
- Catalog Date:August 1, 2026
This course combines lectures with hands-on experience in traditional black and white photography. Students will work primarily with film cameras. Students will develop visual literacy through photographic exploration and image evaluation. Methods of visual communication and compositional development will be included in instruction. Students will examine the role of composition, light, and imagination in the production of photographic images. Historical and contemporary photographers will be introduced. Methods of image critique and evaluation will be emphasized. Instruction includes camera function, exposure control, composition, elements and principles of design, historical context of photography and its impact on historical events, film processing, enlarging prints, low light photography, and print finishing. The format of the class includes lectures, critiques, visual presentations, lab time, an optional field trip at no expense to the student, exams and a portfolio. Students may challenge the prerequisite on the basis of equivalent experience.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Operate a manual 35mm camera and lens
- expose black and white film shot under a variety of light sources
- use accessory equipment for a 35mm camera including: flash unit, tripod, filters, and cable release.
- SLO #2 Use light sensitive materials correctly
- differentiate between a variety of films and papers
- process black and white film
- operate an enlarger
- produce test strips and contact sheets
- produce enlargements using cropping, contrast, and dodging and burning techniques
- SLO #3 Describe basic digital imaging techniques
- explain basic image capture, manipulation and output
- SLO #4 Produce a portfolio of images
- create imagery that aligns with individual project specifications
- retouch and mount a final image
- SLO #5 Expand understanding of visual literacy
- evaluate visual literacy through photographic communication
- evaluate the impact of photographic communication
- SLO #6 Develop compositional skills
- distinguish elements and principles of design in photographic images
- apply elements and principles of design in personal photographic imagery
- SLO #7 Engage in individual and classroom image critiques
- develop critical thinking skills and self-reflection through reflective writing and dialog
- conceptualize ways to improve, expand or redirect photographic work
- distinguish the difference between subjective and objective analyzation
- analyze visual and emotional impact of photographic work
- identify effective critique practices
- SLO #8 Examine photography's historical development
- recognize and distinguish current and historic photographic trends
- determine visual impact of historic photographic examples
- evaluate the impact of photographic imagery on historical events
PHOTO 302 Beginning Digital Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:None.
- Transferable:CSU; UC
- General Education:Local GE L3
- Catalog Date:August 1, 2026
This course combines lectures with hands-on experience in digital photography. Instruction topics include digital camera function, exposure control, technical and creative control, computer manipulation of images and digital output options. The format of the class includes lectures, visual presentations, lab time, exams and a portfolio.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Operate a digital camera effectively
- adjust ISO, aperture and shutter speed for proper exposure
- adjust white balance for proper exposure
- use accessory equipment for a digital camera including: flash unit, tripod, filters and cable release
- SLO #2 Analyze a variety of image storage and media options
- use and compare digital media
- SLO #3 Produce a digital portfolio
- perform basic image manipulation in Photoshop
- use a variety of digital output options
- retouch and mount a final image
- SLO #5 Expand understanding of visual literacy
- evaluate visual literacy through photographic communication
- evaluate the impact of photographic communication
- SLO #6 Develop compositional skills
- distinguish elements and principles of design in photographic images
- apply elements and principles of design in personal photographic imagery
- SLO #7 Develop critical thinking and self-reflection skills in image critiques
- engage in individual and classroom image critiques through reflective writing and dialog
- conceptualize ways to improve, expand or redirect photographic work
- distinguish the difference between subjective and objective analyzation
- analyze visual and emotional impact of photographic work
- identify effective critique practices
- SLO #8 Examine photography's historical development
- recognize and distinguish current and historic photographic trends
- determine visual impact of historic photographic examples
- evaluate the impact of photographic imagery on historical events
- SLO #9 Evaluate, identify and use dynamic light in image creation
- distinguish different lighting types and styles
PHOTO 310 Intermediate Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 301 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course is designed to expand on the technical and creative concepts acquired in beginning film photography. Topics of instruction include: exposure and development control, archival printing, introduction to medium and large format photography, studio lighting techniques, and alternative processes. Students will work primarily with
film cameras. The class includes lectures, visual presentations, lab time, written tests, and a portfolio.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Expose and develop images using a variety of lighting
- push and pull images
- apply the zone system to exposure and development
- solve equivalent exposures
- SLO #2 Produce an image made with studio lights
- set up studio lighting equipment
- operate a light meter in ambient, spot and flash modes
- SLO #3 Produce an archival print
- use fiber based paper with correct processing and mounting
- SLO #4 Create alternative process images
- differentiate between high contrast, infra red, multiple imagery, solarization, toning, and hand-coloring.
- create a collage
- SLO #5 Produce a portfolio
- generate ten images using techniques from the class
PHOTO 312 Intermediate Digital Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 302 with a grade of "C" or better
- Transferable:CSU; UC
- Catalog Date:August 1, 2026
This course is designed to expand on the technical and creative concepts acquired in beginning digital photography. Topics of instruction include: advanced digital camera functions, exposure control, introduction to studio lighting, computer manipulation of images, digital archiving, digital output options and digital print finishing. The class includes lectures, visual presentations, lab time, written tests, a field trip, and a portfolio.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Use advanced functions of a digital camera
- adjust for correct white balance in difficult lighting condition
- identify all menu options in a DSLR
- SLO #2: Produce an image made with off camera lighting
- position lights to create a low or high key portait
- SLO #3: Perform multiple-step image correction with image software
- use levels and curves to adjust image contrast and density
- use multiple layer techniques
- SLO #4: Produce a portfolio
- generate ten images using techniques from the class
PHOTO 320 Color Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 302 with a grade of "C" or better
- Transferable:CSU; UC
- Catalog Date:August 1, 2026
This course covers the fundamental principles of color photography. Topics of instruction include: color theory, correct exposure, techniques to determine correct color balance, flash exposure for color and printing digital files. Students will work with digital cameras. The class includes: lectures, visual presentations, lab time, written tests, and a portfolio.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Explain fundamental color theory and its application in color photography
- produce images with limited color, dominant color, harmonic color and complementary color
- explain color temperature and white balance
- SLO #2 Expose, post process and output color images
- apply color correction to images
- explain the effects of polarizing, color compensating and light balancing filters
- differentiate between a variety of digital output options
- SLO #3 Use artificial lighting to explore color temperature and dramatic effect
- explain how artificial lighting relates to color temperature
- experiment with gels and artificial lighting
- explain lighting ratios and how they relate to subject contrast in color
- SLO #4 Develop a personal style using color imagery
- produce a portfolio of imagery
- write an artist statement relating to color
PHOTO 340 Careers in Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 320 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course offers an in-depth exploration of the photographic industry, designed to equip students with the skills and knowledge necessary for a successful career in the field of photography. Students will compare various photography professions by researching the required skills and training needed for working in various genres of photography. The course will guide students in producing a comprehensive portfolio, with a focus on identifying personal interests in the field of photography. In addition, students will create essential job-related materials, including an elevator pitch, mission statement, resume, price list, and business card. The course also covers the development of a business plan, encompassing an executive summary, product and service descriptions, market analysis and a financial plan tailored to their chosen field of interest. Students will explore branding and essential networking strategies. Students are encouraged to pursue their own area of interest by working with professionals in the field. Students may work with digital or traditional cameras. This class includes lectures and lab time and may include field trips to observe industry professionals.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Compare various professions in photography
- research the skills and training required to enter various fields of photography
- observe a photography professional in the field
- SLO #2 Produce a portfolio
- determine a personal area of interest in photography
- select and correctly use the appropriate camera equipment necessary for various jobs in the photographic industry
- SLO #3 Produce job related materials
- craft an elevator pitch, mission statement, resume, price list and business card
- SLO #4 Produce a business plan
- create an executive summary for business
- describe products and services rendered with business
- perform market analysis review and develop key marketing strategies
- create a financial plan related to chosen business
- SLO #5 Investigate branding related to chosen genre of photography
- investigate competitors
- establish brand personality
- choose a business name
- research logo design
- apply branding consistently across business materials
PHOTO 350 Photojournalism
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 310 or 312 with a grade of "C" or better
- Transferable:CSU
- C-ID:C-ID JOUR 160
- Catalog Date:August 1, 2026
This course provides instruction in photojournalism and magazine techniques in photography. Students will study features, sports, spot news, and the photo essay styles of journalistic photography. Students will work with digital cameras. Students will also capture and use audio to complete multimedia projects. A documentary digital portfolio will be completed. The course includes lectures, visual presentations, speakers, exams, and image posts
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Define documentary photography
- describe the history of photojournalism
- identify major historical and contemporary photojournalists
- critique documentary photographs
- SLO #2: List the steps in becoming a photojournalist
- identify the difference between newspaper and magazine photography
- apply and demonstrate understanding of ethics of photojournalism
- SLO #3: Produce a portfolio of documentary images
- demonstrate an understanding of principles of editing and sequencing
- shoot in difficult lighting situations
- shoot and edit a photographic essay
- SLO #4 Produce a documentary multimedia piece
- capture audio for multimedia content
- use an adjustable digital camera to capture video footage
- use editing software to compile footage
PHOTO 360 Large Format Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 310 or 312 with a grade of "C" or better, or placement through the assessment process.
- Transferable:CSU
- Catalog Date:August 1, 2026
This course provides an in-depth study of large format photography in both studio and field settings. Students learn view camera operation, including camera movements, exposure control, sheet film processing, scanning of large format negatives, and both darkroom and hybrid digital printing workflows. Emphasis is placed on image intention, technical decision-making, and presentation of finished work.
Students explore historical and contemporary uses of the view camera, including architectural, studio, landscape, and conceptual applications. Instruction includes lectures, demonstrations, visual presentations, hands-on lab and studio work, group critique, digital and analog workflows, and portfolio development.
Students may work in black and white, color, or hybrid processes, including scanning sheet film and refining images using Adobe Photoshop as part of a workflow. The course is designed to support diverse learners through multiple modes of instruction, flexible approaches to image-making, and varied forms of expression.
Students are encouraged, but not required, to provide their own large format camera; departmental equipment and alternative workflows are available to promote access and equity.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Operate and adjust a view camera
- set up and operate a view camera safely and effectively
- utilize camera movements including tilt, swing, rise, fall, and shift
- apply camera movements to control focus, depth of field, and perspective
- explain how technical camera choices affect visual meaning and spatial representation
- SLO #2 Use the view camera in diverse photographic contexts
- produce a large format image in an architectural style
- produce a large format photograph in a controlled studio setting
- produce a large format photograph on location or in the field
- adapt workflows and equipment choices to individual access, physical ability, and conceptual goals
- SLO #3 Process and digitize sheet film
- develop sheet film using tray and/or tank processing methods
- scan large format negatives using flatbed or dedicated film scanners
- evaluate the relationship between analog capture, film development, and digital interpretation
- document and reflect on processing and scanning decisions
- SLO #4 Print and present large format images using analog and hybrid methods
- adjust enlargers and printing systems for 4×5 negatives
- apply advanced darkroom printing techniques such as burning, dodging, and flashing
- use Adobe Photoshop to refine scanned large format negatives using non-destructive editing techniques
- produce finished photographic prints through darkroom, digital, or hybrid workflows
- assemble a cohesive portfolio of large format images
- SLO #5 Analyze the history and contemporary use of the view camera
- identify key historical developments in large format photography
- analyze the work of historical and contemporary photographers working with view cameras
- explain how large format photography has evolved to include hybrid analog-digital practices
- SLO #6 Participate in critical dialogue and critique
- engage in group and written critiques using respectful, inclusive language
- analyze personal work and the work of others using technical, visual, and conceptual vocabulary
- reflect on critique feedback to revise and strengthen photographic work
PHOTO 364 Advanced Black and White Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 310 or 312 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course is designed to expand on the technical and creative concepts acquired in intermediate photography. Topics of instruction include advanced film capture techniques, DSLR and mirrorless digital capture, advanced darkroom techniques, large format view camera, zone system method of exposure and development, archival printing techniques, advanced methods of image manipulation, alternative printing methods including working with digital negatives and digital fine art printing. Students will work with digital and traditional film cameras, all available for checkout from the department. The class includes lectures, visual presentations, lab time, exams and a portfolio. There is a lab fee for this course, which covers some materials.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Use the Zone System method of exposure and development
- test film speed and digital ISO settings
- apply the zone system to exposure and development
- SLO #2 Use advanced darkroom printing techniques
- perform print flashing, masking, dodging and burning, masking to traditional prints
- experiment with developers and toners to produce archival prints
- SLO #3 Use advanced black and white digital conversion techniques
- compare black and white conversion techniques
- SLO #4 Produce digital negatives from film and digital files
- create high quality scans from film
- use digital negatives to create contact prints with an enlarger and by contact printing with hand applied emulsion
- SLO #5 Create imagery in darkroom using advanced techniques
- create darkroom contact prints using large format negatives and enlarged digital negatives
- SLO #6 Operate a View Camera
- investigate different types of view cameras
- master view camera movements
- process large format film
- SLO #7 Create a portfolio of imagery
- investigate and produce a thematic body of work
- produce prints both digitally and traditionally from large format negatives and digital files that contain a wide range of zone values
- explore digital fine art printing techniques and determine techniques necessary for production
- define warm tone and cold tone papers
PHOTO 365 Alternative Process Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 301 or 302 with a grade of "C" or better, or placement through the assessment process.
- Transferable:CSU (Same as ARTPH 340); UC (Same as: ARTPH 340)
- General Education:Local GE L3
- Catalog Date:August 1, 2026
This course introduces historical and alternative processes in photography. Topics of instruction include: pinhole photography, handmade and experimental cameras, experimental darkroom and digital techniques, hand-applied emulsions, historical photographic processes, digital negative creation and contact printing. The class includes lectures, visual presentations, labs, exams, class critiques and a final portfolio of work.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Make a pinhole camera
- research material options for a handmade camera
- use film and paper inside a handmade camera for exposure
- SLO #2 Make contact prints using digital negatives
- apply appropriate curves to digital files in Photoshop
- produce a digital negative that matches specific outcome needs
- use a contact printer with an ultraviolet light source, natural light source or artificial light source to create a positive print with a digital negative
- SLO #3 Research various alternative processes in photography
- produce a research driven, multimedia project exploring and detailing a historical or alternative photographic process, its origins and its impact on photographic history
- SLO #4 Create images using a variety of historic and alternative processes
- explore methods of image creation using hand applied emulsions
- explore methods of image creation using pre-applied emulsions
- explore experimental image creation techniques including lumen, image transfers, wax encaustic and chemigrams
- SLO #5 Develop critical thinking and self-reflection skills in image critiques
- engage in individual and classroom image critiques through reflective writing and dialog
- conceptualize ways to improve, expand or redirect photographic work
- distinguish the difference between subjective and objective analyzation
- analyze visual and emotional impact of photographic work
- identify effective critique practices
- determine visual impact of historic photographic examples
- SLO #6 Produce a portfolio of examples of various historic and alternative photographic processes
- create and use window mats to present final images
- SLO #7 Examine photography's historical development
- recognize and distinguish current and historic photographic trends
- determine visual impact of historic photographic example
PHOTO 366 Advanced Alternative Process Photography
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 365 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course is an advanced study of historical and alternative processes in photography and is designed to expand on the technical and creative concepts acquired in Beginning Alternative Process Photography. Topics of instruction include a deeper investigation of pin hole photography, handmade cameras, historical photographic processes, creating digital negatives and contact printing. Students will also hang a class exhibition. The class includes research, lectures, visual presentations, lab time, exams, and a portfolio. This course is the same as ARTPH 341.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Research two types of alternative processes
- Create a multimedia presentation of two types of alternative processes and their practitioners
- Compile a research folio containing written research, visual examples and personal examples of researched processes SLO #2 Create contact prints
- SLO #2 Create contact prints
- Explore several methods of enlarging negatives Produce a variety of digital negatives independent of instructor
- Produce a variety of digital negatives
- SLO #3 Produce various alternative processes in photography
- Produce a themed portfolio using two to three alternative photographic processes
- Document each processes as they are completed
- SLO #4 Participate in a class exhibition
- Research local gallery options
- Secure a date for exhibition
- Produce a promo piece for the exhibition
- Produce and frame prints
- Hang the exhibition
PHOTO 370 Portraiture Techniques I
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 312 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course is designed to provide students with an overview of the portraiture photography business. Topics include: techniques of lighting, use of appropriate cameras and media, professional practices and strategies for beginning business. Students work with digital cameras. The class includes: lectures, lab time, on-location field trips, exams, a journal, and a portfolio geared toward a professional presentation.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Create portraits in a variety of lighting conditions.
- use available light and reflectors for outdoor portraiture
- use strobe equipment, in the studio and on-location
- describe flash-ambient exposure for indoor exposure
- SLO #2 Identify professional practices in the portraiture industry
- develop a price list and model release form
- describe market trends in the Sacramento area
- SLO #3: Investigate a variety of posing techniques
- experiment with different posing strategies for individuals and groups
- SLO #4: Create a digital presentation for clients
- create a portfolio of images for client review
PHOTO 372 Portraiture Techniques II
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 370 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course is designed to give students an in-depth understanding of portraiture. Topics include: techniques of lighting and posing, working with groups and individuals, use of appropriate cameras and films, professional ethics and business strategies. Students may work with digital or traditional cameras. The class includes: lectures, lab time,
on-location field trips, exams, a journal, and a portfolio geared toward a professional presentation.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Create portraits in a variety of lighting conditions
- shoot group and individual portraits outdoors using fill flash
- balance ambient and artificial light
- SLO #2 Use studio lighting equipment
- describe accessory equipment for strobes including: reflectors, soft boxes, umbrellas, scrims, snoots, reflectors and flags
- use advanced functions with strobe equipment in the studio and on-location
- set up studio accent lights
- describe and identify lighting ratios
- use a flash meter in a variety of advanced modes
- SLO #3 Identify professional practices in the portrait industry
- develop a price list and model release form
- describe marketing trends in the portrait industry
- SLO #4: Create a portfolio of portraits
- explore different portrait genres including actor, executive and business headshots, environmental portraits, engagement and wedding portraits, formal portraits, candid lifestyle portraits and group portraits
- experiment with a variety of output choices and determine which are most suitable for portfolio presentation
PHOTO 390 Studio Lighting Techniques I
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 312 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course is a study in studio lighting techniques used in commercial photography. Topics of instruction include: correct exposure using strobe, lighting ratios, appropriate choice of camera formats, and studies in composition of commercial photographs. Students are encouraged to work in a variety of formats, using black and white and color. Students will primarily use digital cameras. The class includes: lectures, visual presentations and discussions, on-location field trips or video chats with industry professionals, lab time, exams, and a portfolio.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Use artificial lighting equipment.
- use a flash meter in a variety of modes
- calculate and apply lighting ratios to determine exposure
- describe studio accessories, including: booms, flags, c-stands, gels, scrims, reflectors, umbrellas, and softboxes
- SLO #2 Produce a portfolio of images created using artificial light.
- experiment with a variety of props, backgrounds and tabletop options
- prepare and participate in on-location studio shoots, including: on-sight research, equipment handling and set-up procedures, and roles in assisting.
- SLO #3 Investigate a career as a studio photographer
- attend a field trip to an industry professional's studio or participate in a video chat with an industry professional.
- research websites and on-line resources for studio photography
PHOTO 392 Studio Lighting Techniques II
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 390 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course covers advanced studio lighting techniques used to photograph difficult to light subjects. Topics of instruction include: advanced studio lighting set ups for products, correct exposure using strobe, appropriate choice of camera format, studies in composition and meaning of advertising photographs, and market research. Students are encouraged to work in a variety of formats. The class includes: lectures, visual presentations and discussions, virtual or in person field trips, lab time, exams, a journal, and a portfolio geared toward a professional presentation.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1 Use studio lighting equipment
- use a flash meter in a variety of advanced modes
- use strobe and studio accessories, including booms, flags, c-stands, gels, scrims, reflectors, umbrellas and softboxes
- describe characteristics of lighting, including sources, color temperature, modification, multiple strobe, matching light to subject and creative applications
- utilize tethering technology for critical details and focus
- SLO #2 Produce a portfolio of images created in the studio
- photograph images with challenging surfaces and subjects including: glass, plastics and metal
- recreate successful images found from outside sources
- participate in on-location studio shoots, including location research, and equipment safety setup procedures
- produce an image by levitating an object in the studio
- SLO #3 Study market trends in studio lighting
- critique successful images
- develop strategies for marketing a portfolio, including: studying local market trends, and changing presentation styles for clients
- meet with a professional in the field (for example, an art director) to discuss professional expectations
PHOTO 400 Digital Imaging
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:None.
- Transferable:CSU
- Catalog Date:August 1, 2026
This is an introductory course in digital imaging, compositing and electronic file preparation for publishing. The class includes lectures, use of computers and scanners, slide presentations, preparation of a journal and a digital portfolio.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Produce photographs using various camera, film and digital choices
- Acquire and import digital files, set-up and scan slides and prints digital photographs.
- SLO #2: Produce photographs using various digital techniques
- Demonstrate competency with Adobe Photoshop.
- Assess and retouch digital images using a variety of tools in Photoshop.
- Compose digital images with copy including usage of layers.
- SLO #3: Demonstrate color digital photographic workflow principles through creation of a final printed project
- Integrate established workflow, edit and prepare images for digital printing output
- Create a photo portfolio
- Output completed digital files.
PHOTO 410 Advanced Digital Imaging
- Units:3
- Hours:36 hours LEC; 54 hours LAB
- Prerequisite:PHOTO 400 with a grade of "C" or better
- Transferable:CSU
- Catalog Date:August 1, 2026
This course is an advanced study of digital imaging and related software programs. The class includes lectures, use of computers, scanners, and a variety of output devices and preparation of a digital portfolio. This course will introduce the student to the emerging field of multimedia.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Produce photographs using various camera, film and digital choices.
- demonstrate competency in using a variety of scanning devices, including flatbed and transparency.
- demonstrate competency in acquiring various types digital files.
- SLO #2: Demonstrate proficiency in advanced software applications related to digital imaging such as Adobe Photoshop, Bridge and Lightroom.
- demonstrate competency in advanced digital manipulation techniques such as using layers, masks, curves, blend modes and paths.
- SLO #3: Create a digital portfolio and related materials for job preparation.
- produce multiple promotional materials using a variety of advanced digital manipulation techniques.
- produce a complete portfolio demonstrating competency in advanced digital imaging techniques
- SLO #4: Create related materials for job preparation.
- create self promotional materials using a variety of advanced digital manipulation techniques
PHOTO 420 History of Photography
- Units:3
- Hours:54 hours LEC
- Prerequisite:None.
- Transferable:CSU; UC
- General Education:Local GE L3; Cal-GETC Area 3A
- Catalog Date:August 1, 2026
This course provides an in-depth study of photography and
photographically derived images. The course will focus on the development of the first photographic processes from the nineteenth century to current technologies. It explores the evolution of photographic imagery from its inception to current day. The course provides an in-depth study of photographic imagery made across diverse and underrepresented cultures and allows deep examination of imagery through the lens of impactful historical events. Students will develop visual literacy skills, learn how to analyze photographic imagery and be introduced to photographic theory. Students will have the opportunity to share images from their own photographic history and will have the opportunity to create images using historic processes. The format of the class includes lectures and discussions, visual presentations and a field trip to a gallery, museum, archive or a virtual photographic archive.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Define the major movements in the history of photography
- recognize and categorize imagery from major photographic movements
- evaluate visual and cultural significance of photographic imagery
- SLO #2: Evaluate diverse visual styles in photography
- contrast and compare contemporary photographic imagery and historic examples of photographic imagery
- analyze photographic imagery
- SLO #3: Evaluate archived imagery
- investigate photographic archive repositories
- select, categorize and organize important photographic imagery in archive repositories
- SLO #3: Describe photographic processes from the 19th century to the present
- create examples of historical processes
- SLO #4: Reflect and respond to photographic imagery
- recognize connections between historic imagery and contemporary imagery
- SLO #5: Explore photography's ability to affect cultural changes
- evaluate the impact of photographic imagery on historical events
- evaluate how globalization has affected photography
- describe how photographic artists are producing socially impactful imagery
- SLO #6: Investigate photographic representation
- analyze how various cultures engage with the medium of photography
- reflect and analyze personal photographic history and personal photographic archive
- analyze photographic representation of diverse cultures
- create presentations analyzing the impact of photographic imagery created by underrepresented image makers
PHOTO 421 Photographic Theory, Concepts and Aesthetics
- Units:3
- Hours:54 hours LEC
- Prerequisite:None.
- Advisory:ENGL C1000 with a grade of "C" or better
- Transferable:CSU
- General Education:Local GE L3
- Catalog Date:August 1, 2026
This course is an overview of photographic genres, methods of photographic expression and a deep exploration into visual literacy through the lens of photography with an emphasis on historical, marginalized and intersectional image makers. It explores theories of visual communication and methods of photographic image evaluation and examines the role of composition, light, and imagination in the production of photographic images.
Students are not required to have any prior photography experience but will need the ability to capture their own images with a digital camera, smartphone, or tablet. The format of the class includes lectures and discussions, visual presentations and creating personal imagery.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Formulate standards of judgment based upon reference to the history, purpose and aesthetics of photography.
- Differentiate historical periods, genres and styles of photography.
- Demonstrate an understanding of the materials and techniques used in the production of photography.
- SLO#2: Incorporate problem solving and analytical skills in completing class writing and projects.
- Evaluate the basic visual and design elements in photography utilizing photographic vocabulary and concepts.
- Apply knowledge from lectures in creating simple photographic images.
- SLO #3: Interpret how various cultures engage with the medium of photography.
- Describe, view, and share photographic images created across various cultures.
- Evaluate the visual and cultural significance of photographic imagery.
- Compare visual and written language as a means of communication within various cultures.
- SLO #4: Explore photography's ability to affect cultural changes and shifts.
- Evaluate the impact of photographic imagery on historical events.
- Evaluate how globalization has affected photography.
- Describe how photographic artists are producing socially impactful imagery.
- SLO #5: Explore the impact of light in image making.
- Evaluate and compare how photographers are using innovative light capture techniques
- Utilize and record various methods of light capture.
- Explore and create innovative light capture methods.
- SLO #6: Evaluate the impact of marginalized and intersectional photographic image makers on photographic history and photographic communication.
- Research, compare and formulate theories that address how marginalized and intersectional photographers have impacted photographic history.
- SLO #7: Explore Innovative Photographic Communication.
- Investigate social media and Generative Artificial Intelligence's impact on image making across cultures.
- Create imagery that addresses and uses new methods of image making.
- Develop visual literacy skills through evaluation of various methods of photographic communication.
PHOTO 495 Independent Studies in Photography
- Units:1 - 3
- Hours:54 - 162 hours LAB
- Prerequisite:None.
- Transferable:CSU
- Catalog Date:August 1, 2026
An independent studies project involves an individual student or small group of students in study, research, or activities beyond the scope of regularly offered courses. See the current catalog section of "Special Studies" for full details of Independent Studies.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Actively engage in intellectual inquiry beyond that required in order to pass a course of study (College Wide Learning Outcome – Area 4).
- Discuss and outline a proposal of study (that can be accomplished within one semester term) with a supervising instructor qualified within the discipline.
- Design an independent study (to be completed individually or by collaboration of a small group) to foster special knowledge, skills, and experience that are not available in any one regularly scheduled course.
- Use information resources to gather discipline-specific information.
- SLO #2: Utilize modes of analysis and critical thinking to apply theoretical perspectives and/or concepts in the major discipline of study to significant problems and/or educational activities (College Wide Learning Outcome – Area 3).
- Analyze and apply the knowledge, skills and experience that are involved in the independent study to theoretical perspectives and/or concepts in the major discipline of study.
- Explain the importance of the major discipline of study in the broader picture of society.
- SLO #3: Communicate a complex understanding of content matter of the major discipline of study (College Wide Outcome – Area 3).
- Demonstrate competence in the skills essential to mastery of the major discipline of study that are necessary to accomplish the independent study.
- SLO #4: Identify personal goals and pursue these goals effectively (College Wide Outcome – Area 4).
- Utilize skills from the “academic tool kit” including time management, study skills, etc., to accomplish the independent study within one semester term.
PHOTO 498 Work Experience in Photography
- Units:0.5 - 4
- Hours:27 - 216 hours LAB
- Prerequisite:None.
- Enrollment Limitation:Before students can enroll or participate in the Work Experience program, Los Rios Community College District must have a signed Employer Agreement on file with the student’s worksite. If the employer already has an active agreement with the district (viewable at losrios.edu/wexpemployeragreement), no further action is required. In addition, students must have a paid or unpaid internship, volunteer position, or job that aligns with their career goals in the field of Photography and a cooperating worksite supervisor who will sign all required course documents. High School students are not permitted to enroll in Work Experience courses.
- Transferable:CSU
- General Education:Local GE L7B (effective Summer 2026)
- Catalog Date:August 1, 2026
This course provides students with opportunities to develop marketable skills in preparation for employment in their major field of study or advancement within their career. It is designed for students interested in work experience and/or internships in transfer level degree occupational programs. Course content includes understanding the application of education to the workforce; completion of required forms which document the student's progress and hours spent at the work site; and developing workplace skills and competencies. Appropriate level learning objectives are established by the student and the employer. During the semester, the student is required to participate in a weekly orientation and complete 27 hours of related work experience for 0.5 unit. An additional 27 hours of related work experience is required for each additional 0.5 units. Students may take up to 16 units total across all Work Experience course offerings. This course may be taken up to four times when new or expanded learning objectives are introduced. Only one Work Experience course may be taken per semester.
Student Learning Outcomes
Upon completion of this course, the student will be able to:
- SLO #1: Demonstrate Professional Growth through the Application of Industry Knowledge
- Reflect on personal strengths, areas for growth, and career goals while applying industry-specific knowledge and theoretical concepts in professional settings, and develop realistic career goals based on feedback.
- Collaborate with supervisors to evaluate performance, seek feedback, and build professional relationships that support ongoing career development and continuous learning.
- SLO #2: Analyze and Apply Critical Thinking to Solve Problems
- Analyze workplace challenges using information from multiple sources, communicate findings and reasoning effectively, evaluate potential solutions using logical reasoning, and integrate diverse cultural and personal perspectives into decision-making.
- SLO #3: Advocate for Equity and Inclusion
- Recognize and describe diverse identities and experiences in the workplace, communicate respectfully across perspectives, analyze examples of inclusion and exclusion, and contribute to equitable environments by incorporating multiple cultural viewpoints.
- SLO #4: Exhibit Effective Leadership and Teamwork
- Identify and leverage team strengths, support and motivate peers toward shared goals, communicate effectively in collaborative settings, respond constructively to feedback, and plan and manage small-scale projects or tasks.
- SLO #5: Model Professionalism and Ethical Behavior
- Demonstrate reliability, accountability, and integrity by maintaining attention to detail, being prepared, aligning behavior with organizational and ethical standards, and communicating professionally with colleagues and stakeholders.
- SLO #6: Collaborate Effectively in Diverse Teams
- Work effectively with diverse team members by communicating clearly, respecting differing perspectives, resolving conflicts constructively, and assuming responsibility for assigned tasks.
- SLO #7: Apply Technology and Industry Knowledge Competently
- Select and ethically utilize appropriate technologies, communicate technical and industry-specific knowledge effectively, adapt to emerging digital tools, and apply ethical standards to evaluate and complete tasks in professional settings.
PHOTO 499 Experimental Offering in Photography
- Units:0.5 - 4
- Prerequisite:None.
- Catalog Date:August 1, 2026
This course is designed to allow advanced students to pursue and research their photographic interests and receive credit. Students must provide a proposal outlining their area of interest and arrange meetings with an instructor. Students may wish to challenge the prerequisite on the basis of equivalent experience.
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Career Education
This major is part of CRC's Career Education (CE) Program. Request assistance from Career Education by dropping us a line!
